![]() ![]() Funkenstein,” which some have called the greatest single moment in the history of Funk. The live performances of these recordings -which Clinton identified as a funk opera - climaxed with a giant spaceship landing at center stage and Clinton emerging as “Dr. These releases became instant dancefloor anthems and sparked funk's biggest crossover movement to date. With music designed to “Put a dip in your hip and a glide in your stride,” the album included songs like “P-Funk (Wants to get Funked Up),” “Mothership Connection (Star Child)” and the group's first gold single, “Give Up the Funk (Tear the Roof Off the Sucker)”. That year Parliament put out two albums, Chocolate City (envisioning a post-Watergate America with Muhammed Ali as president and Aretha Franklin as First Lady) and Mothership Connection, a sci-fi tale in which Black aliens land on Earth with a simple message to earthlings: “Ain’t nothin’ but a party y’all”. 1975 was a seminal year for Clinton: with the country caught up in the Watergate fallout and the Space Race, the wildly imaginative Clinton was busy redefining the possibilities of funk music and advancing the rise of Afrofuturism. Rolling Stone and Spin recently identified Parliament Funkadelic as one of the top bands of all time. ![]() Funkadelic recorded a number of influential concept albums, including Free Your Mind and Your Ass Will Follow, Maggot Brain and America Eats Its Young. Around the same time, Clinton spawned Funkadelic, a rock group which fused acid-rock guitar, bizarre sound effects, and cosmological rants with danceable beats and booming bass lines. They dropped the "s" from the band’s name and Parliament was born. By the early ’70s, the group's tight songs evolved into sprawling jams around funky rhythms. Clinton then developed an act/sound which merged the polish of Motown acts, the rawness of James Brown, the bohemian style of Sly Stone and the pop sensibility of the Beatles – and forever set himself apart from the Motown era. ![]() Clinton started his career with the Parliaments, a barbershop doo-wop ensemble, which scored a major hit with "I Wanna Testify" in 1967. His incredible ingenuity has earned George Clinton and Parliament Funkadelic their rightful place in music history: an induction into the Rock and Roll Hall of Fame and recipients of the Grammy Lifetime Achievement Award. As one of the foremost innovators of Funk, Clinton is the mastermind behind the legendary Parliament Funkadelic, creating a uniquely identifiable and timeless art that has lifted Funk from what was once considered a simple style to an internationally recognized and respected musical genre. ![]()
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